Posts Tagged ‘Nikki Stern’

Past Perfect


In an attempt to unclutter my life. I’ve been throwing out papers, giving away clothes and sorting through boxes.  I seem determined to keep my memories consigned to mental cubbyholes. Too much looking back  feels  unsettling.

But the past is never really past, though it may be discreetly tucked away. It seems to find me in misplaced boxes, odd phone calls,  Facebook invitations and even in neglected e-mail accounts–which is how I found myself time-traveling.

* * * * *

Fred was my first serious relationship. I was 26 and stuck in a cycle of failed connections. He was 29 and a working musician, something I was pursuing after jumping my career track (not for the last time) to pursue a career as a songwriter. I met him during a recording session in Washington DC.  Fred was playing guitar, one of several instruments he handled quite well. A big man, a member of the Marine Corps Jazz Band, he was something of an old-school musician: well-trained, versatile, capable, and completely reliable. He was never without a gig. He also bought, traded and sold guitars, maintaining one of the most impressive collection of “axes” imaginable.

I fell for him. He was my mentor, my muse, my main squeeze. I loved him, my friends loved him; even my parents loved him.

Over the next five years, we dated and then lived together in Washington and then in New York, where he hooked up with Harry Belafonte’s world tour and went on the road for two six-month periods. From there it was all downhill. A couple of outside hook-ups (his) later, he met the woman he would eventually marry instead of me and broke my heart. He played Broadway shows for awhile but eventually became a computer specialist for New York’s Metropolitan Transportation System (MTA). He had a daughter, I’d heard, and still took gigs for fun.

Several years later, I met Michael.

Michael was an aspiring playwright and lyricist. We’d been put together by a mutual acquaintance to write the score for a musical the friend wanted to produce. Michael lived in a tiny, rent-controlled apartment on Manhattan’s Upper West Side, overflowing with books, folders, scripts and, oddly enough, medical textbooks. I found out later that he came from money and had gone to medical school but decided to try his hand at theater. Apparently the parents didn’t approve. Maybe they cut him off or maybe he refused their offers of help; I was never clear about that. Michael played it pretty close to the vest. I’m pretty sure he’d served as a medic in Vietnam. was forty-five or so when I met him, had a teenage son. Other details were vague.

We weren’t romantically involved; he seemed to be from a different generation; a cool cat, a Rat Packer among left-over disco divas and punk aspirants. His Scotch was neat, his cigarettes unfiltered. Women came and went and came again; some of them wanted to keep him, some wanted him to keep them. He never did. Michael was his own man.

But man, did he write: plays, poems, essays, scripts, short stories, books, lyrics—some of it pitch-perfect, some of it mundane, all of it cycled through a prolific consciousness that refused to give up. He worked mostly at night, after finishing whatever temp job he toiled at for minimum wage. He often overwrote, in the manner of someone with a large vocabulary who was a bit of a showoff. But when he led with his heart instead of his head, his lyrics were brilliant: poignant, incisive, and brave, as in this song we wrote together (my music, his lyrics).  In it, a father is trying to explain to his young son what the upside of divorce might be:

You’ll have more, I told him
Than many boys your age
And you’ll have more

I added
To help to calm the rage in you…

For all my cool, I knew I lied right through my teeth
My mouth as dry as last year’s Christmas wreath

And still the platitudes, the worn-out phrases flowed
“Your mommy’s still your mommy

I’m your dad, that never ends”
And then (get this) the capper

“You’ll be just like all your friends…”

©1985 Michael Greer and Nikki Stern

 * * * * * *

These latest e-mail communications were, strangely enough, precipitated by housecleaning: someone going through boxes came across something that reminded them of my connection to their friends and they wrote.

Fred is not dead, his brother told me. But he is not where any of us want to be. A slow-growing tumor put too much pressure on his brain and so he had surgery with what his brother calls “mixed results”–alive but with complications from a stroke; paralyzed on the left side; no more guitar playing, assisted living in Florida (to save money; his wife  stays in New York and visits every six weeks), memory loss, diabetes, morbidly obese…

Fred+NikkicOh god! I don’t want this image of an old man I once loved trapped by his own body and kept from the things he loved. I run to the basement and yank down a box to search for a picture I can use instead.  I find it: the very essence of bittersweet. Yes, we were once that young, that crazy for each other, that happy.  He was my first serious relationship.

Im unsettled but I can handle it.

Michael is gone: lung cancer; not surprising.  New York too is hard on older folks who live with stars in their eyes and little in their pockets. His friend, a woman I suspect got close to him, writes that he went quickly, but who knows? Michael always played it close to the vest. She asked me for any sheet music I might have from our musical. His friends are considering mounting a review of Michael’s work. So I head back to the boxes and find a copy of the complete score. Time-traveling again, I’m back at rehearsals.  My stomach tightens again as the bitter and the sweet have their way with me, but against all odds, I stay on my feet.

Pace, gentlemen: Peace to you. I loved you both, in different ways. Our lives intersected, then diverged. But while we were connected, didn’t we make beautiful music together?


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 My early teen years were a struggle, to say the least. I was ungainly, unsure and decidedly uncool. Eventually, I would  attain the even teeth, the carefully ironed long hair,  even an  acceptable body shape.  But in 1964, I wanted to look like my older  brother’s cheerleader girlfriends. More seriously, I wanted to be
someone else–anyone else except me.

I was miserable at school. I couldn’t hide my smarts or keep my mouth shut; couldn’t get my footing  or find my place. Ripe for teasing, I tried to stay clear of the mean  girls and sought refuge in music and books. Then, beginning September  22nd of that year, I had a chance to latch onto a debonair chap and his sexy partner, the stars of “The Man from U.N.C.L.E.”

UNCLEThe show was both an homage to and send-up of the popular James Bond movies and starred Robert Vaughn and a young Scottish actor named David McCallum. They played agents of the United Network Command for Law and Enforcement (UNCLE), an international organization dedicated to stopping THRUSH from exercising its evil plan to take over the world.

The casting was impeccable, the setup fantastical and the details were  inspired. Vaughn’s character, Napoleon Solo, was the classic spy in the 007 mold: suave, clever; with a fondness for the good life and a weakness  for women.  He was cool in an old-fashioned sort of way; a throwback to previous decades.

But it was McCallum’s character, the elusive Illya Kuryakin, who caught and held my attention. The Beatles had landed in the U.S. a few months earlier and like so many girls my age, I was drawn to the safely boyish Paul McCartney. But in Illya, I found my soul-mate: a mysterious,
educated (Masters degree from the Sorbonne; PhD in quantum mechanics from University of Cambridge) Russian whose hip calm exterior hid, I was certain, a treasure trove of passion. He seemed to own a wardrobe of swoon-inducing black turtlenecks.  Best of all, he and Solo were working in a spirit of global cooperation to defeat terrorists, anarchists and the like in the middle of the Cold War.  I was hooked.

My mother, in a display of solidarity and support, took pictures of our television set when the show was on and gave me the images. I can’t tell you what that meant to me; it was like having your mother approve of your first boyfriend.

“The Man from U.N.C.L.E.” lasted four years and took me through high school. Even after I grew out of my ugly duckling phase, I remained loyal to the intrepid spies and to the attractive Illya.   Encountering McCallum in recent times on another show that has saved me–NCIS–is like  olderMcreuniting with an old love. McCallum’s Dr. Donald “Ducky” Mallard is a little fussy, but also funny, smart and sensitive, with a soulful side
that probably owes to his Scottish origins (okay, I’m projecting). He’s not quite the sexy Kuryakin I remember–except perhaps for the twinkle in his eye. But he seems wise in ways that matter. I’m sure he’d forgive my crush on  Mark Harmon’s character. I like to think we have a deeper, more meaningful relationship. He was, after all, my first love.

sources: IMDb; Wikipedia
images: nnbd  firstachurch, photobucket

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